I have a natural curiosity when it comes to art supplies. This has cost me dearly. I have invested way too much money in supplies that have not been suitable for my purposes. But sometimes my curiosity works out well! I invested in some Strathmore 400 Series Drawing Paper for sketching but quickly became impressed with its capabilities for ink. It is smooth 80 lb. paper and recommended for dry media.
I have not yet used this drawing pad for my sketches, but I did try my pen practice on it and I was pleasantly surprised. It reacts beautifully to both the pointed and the edge pen.
I can practice with walnut ink on this paper and it does not bleed. I loved the warmth of the cream colour so I tried small gilding experiments and it came through beautifully. I use miniatum ink on this paper without it buckling. Beyond that, it will take watercolour, pastel and coloured pencil. This past week I put it through a strength test with a very ornate piece. I applied mulitple washes of watercolour and detailed inking.
The paper did not buckle. I use a moist brush technique rather than a wet brush which worked perfectly on this paper. I even tried correcting work with a tiny bit of sand paper and pumice powder and the paper did not bruise. However, a heavier application of the sandpaper would likely erode the paper completely. This is extremely lightweight paper. I wish it was just a bit heavier, but it serves its purpose for me when I want a creamy coloured background. I was previously using Somerset Satin Paper for this purpose but it had its own challenges! I will continue to look for the perfect weight and texture of cream paper, but I remin impressed with the Strathmore Drawing 400 Series.
My big surprise was the purchase of an Isabey Retouching Kolinskly Sable brush.
This winter I noticed that I needed to replace some of my tired brushes and started shopping online. I have never had to buy a sable brush online before. I prefer to see the brush before I purchase it. But sable brushes and art stores are scarce in my area now! I had seen an Isabey brush at the Dick Blick in Philadelphia and I have been regretting not purchasing it ever since! I ordered a size 4 retouching brush throug DeSerres in Canada and had to wait weeks for them to locate it. I was initially disapointed in the size of it. This brush is far bigger than any I use for miniature painting, so I gave it a cozy home until I finally tried it this week. What an awakening!! I am in awe of this brush. It has a tip that is fine and pointed enough for me to do precise lining and detail work. But the shape of the brush allows for incredible pigment and moisture storage. I could go on and on with a single loading of this brush and it was giving me more precision than my Raphael pointed round brushes. I have a new treasure in the studio!!! This little brush is worth the price. Yesterday I ordered the size 0 and size 2 to add to my collection. I will let you know how they work out. I think I have found the perfect brush..at least for my method of application on miniature work.