Wednesday, June 6, 2012
Over the years, I have noticed that my supply lists for workshops are constantly evolving. In fact, even though I re-do my handouts to update my supplies and techniques for each workshop, I now add a disclaimer to my notes stating that I constantly re-evaluate supplies and may be demonstrating with new products. During this morning's commission I noticed how much I prefer the Escoda Brush to any other in my brush box. I painted the entire piece with the size 4/0 Kolinsky sable brush. It felt very comfortable in my hand and the brush hairs have excellent springiness and water hold out.It maintains its point and there are no stray hairs in any of my Escoda Brushes. I was very impressed and find that I reach for the Escoda more than any other of my Sable brushes. The piece was done with an Esterbrook 818 Extra Fine which is another new favourite for me. It is very flexible yet not overly sharp so it doesn't catch the fibres in the paper no matter how much pressure I put on it. Another big change for me is from the oblique to the straight pen holder. Although I still use the oblique pen holder with my Spencerian work, all of my pen drawn floral flourishes, European style thrown flourishing and even Golden Age Style Offhand Flourishing are now done with my Snakewood Straight holder. The holder is very precious to me as my husband made it for me. I still get to spend time turning my own pen holders on the lathe, but the majority of the work is done by Chris. This commission was done for a birthday card. The terminal lobes of the ribbon script letters are gilded with 23 K gold leaf. Staedtler Aquarelle Watercolour pencil was used to colour the design and my favourite Diane Townsend Pastels, Finetec Gold, Sakura Gelly Roll pen and Hot Foil were used to add accents. It was done on another new favourite, the new diploma parchment from John Neal.